Equipo
RED Cameras, dollies & cranes

 

lense-shots

 

Cooke S4 Primes
14, 18, 21, 25, 27, 32, 40, 50, 65, 75, 100 & 135mm

  • Extraordinary, internationally renowned optic quality
  • Considered to be the best lenses available today
  • Cooke S4 primes have a true T2 aperture and cover Super 35mm format
  • Color-matched and compatible with Cooke 18-100 T3 zoom lens
  • No Breathing throughout the entire focus range
  • Excellent control of both flare and internal flare
  • Gradual "failloff" in its depth of field offers phenominal 3-dimensional feel
  • Optimized for maximum aperture work at a true T2
  • Cooke S4 primes have a common fixed front diameter of 110mm

Zeiss Ultra Primes

10, 12, 14, 16, 20, 24, 28, 32, 40, 50, 65, 85, 100, 135, 180mm

  • Floating elements offer optical performance all the way to the close-focusing limit
  • T1.9 throughout entire lens line of Distagon, Planar and Sonnar designs
  • Distortion is well controlled and so is breathing, especially with the wider angle lenses, where it counts most.
  • Ultra Prime lenses are particularly robust and easy to service
  • Exceptional sharpness and flare control
  • Zeiss/ARRI Ultra Primes currently are the largest set of cine prime lenses

 

Zeiss MKI Super Speeds
18, 25, 35, 50 & 85mm

  • Integrated Focus Gears
  • 80mm Fronts
  • Ultra Fast T1.4 Maximum Aperture
  • Patented T* coated optics for superior color reproduction
  • Works exceptionally well with the RED ONE

Cooke Varotal 18-100mm Zoom

  • Superior Cooke Optics
  • Fast T3 Aperture
  • Close focus: 2 feet 4 inches
  • Blacked interior to prevent internal refraction

Red Lenses

  • 300mm T2.9 RED PRO PRIME (sub -rental)
  • Red 18-50 T3 Lightweight Zoom Lens (sub -rental)

Speciality Lenses

  • Belomo Peleng 8mm T3.5
  • Fisheye in PL mount

  • Century Precision Optics T4 Tele Athenar 380mm
  • Beautiful Bokeh!
    More lens sets to come!



Info tidbit: n 1988 Cooke lens designer, Gordon H. Cook, received The Academy of Motion Picture Arts and Sciences Gordon E. Sawyer Award "in recognition of technological contributions that brought credit to the film industry." This is is the highest accolade bestowed on an individual by the Academy for technical contributions to the film industry.